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Target: RIAA’s Best Friend

J. Danny @ 17 Jul 2008 :: Branding, Culture, Music :: comments (0)

Target’s marketing group has become nearly famous for running a unique commercial every month featuring a song from a usually obscure artist. It’s amazing how each commercial will actually fuel the sales of that particular song for a few months afterwards. If you watch on iTunes, you’ll see said song jump to that artist’s “top songs” list in very short time.

This month’s commercial features Dolly Parton’s “More Where That Came From,” which I just love. (Sue me.)

While most of the commercials are nothing more than an exercise in gluttonous exposure with overly ambiguous messaging, I just love this particular one because the song is just perfect for the message of the commercial. Plus, the big dog just kicks ass (he’s at the very beginning of the commercial) and I laugh at it every time. What can I say, except that I’m easily amused.

“Reel 2, Dialog Track 2″

“Help me obi wan kenobi, you’re my only hope.”

“Help me Obi Wan Kenobi, you’re my only hope.”

We’ve been having some internal discussions lately based on a (seemingly) simple sentence in some of our internal documents: “RD2 is an acronym for our methodology: Research, Design, Develop.” This got us talking about our name.

While “Research, Design, Develop” simplifies the process and is not entirely unrepresentative of our Approach, you may have noticed on our Community page that there is no one whose job title sounds like “Research.” You may have also noticed the sentence that says “We are a small community of strategists, designers, technologists, and managers.” Where do all these departments fit in?

In response to some discussions on what our name really means and how it defines us, Chris sent out the following email. Enjoy:

When coming up with our name, I had a list that I was keeping which had over 250 possibilities. It was aggravating as hell because just when I would come up with something that I liked, the domain would be taken or there would be potential trademark issues. I’ve been lucky to have good guidance on some of the things that people don’t often think of when inventing a name for their new company. I retained an attorney to do trademark searches etc. for names that could be construed as legal conflicts down the road. So, the challenge was this:

  • Find a good name
  • Is there a good domain name version?
  • Is it copyright protected already even if in another state or industry?
  • Is there a local version of any kind?

… This eliminates so many damn possibilities.

David Slack then came up with a sample identity that I liked, but he was trying to sell me on something with my name in it, which I hated. But some of the words that we used in the branding exercise had to do with simple, minimal, effective — boiling the methodology down to: research, design, develop

The Dallas Company, Not the Robot: So, RD2 was born. I like the movie Star Wars, but don’t take it the wrong way… It’s not like I have a hidden stash of Star Wars action figures that I play with in the bath tub…

At first I was not very into the name because of the close sound of “R2-D2.” But after really, really thinking about it, my conclusion was that it’s not so bad having a familiar sound of the famous little droid. It’s not as if this is a negative brand image. In fact, R2-D2 is on the side of Good… fighting the opposing forces of the dark side. R2-D2 has a mind of it’s own… it’s willing to explore. R2-D2 traveled with Luke Skywalker to the Dagobah System, where he met with Yoda. Without “R2″, Luke may never have become the great Jedi Knight. R2D2 is a messenger, a confident little droid with a quirky personality yet has the intelligence from many distant galaxies. R2 wanders without hesitation through a fire fight with storm troopers and confronts the root of all intergalactic evil…a long time ago, in a galaxy far, far away. R2 periodically gets in trouble, falls down, gets back up, and lives to see another fight. R2 is a survivor!

So, we knew that RD2 was going to forever be the subject of an association with this famous little droid. And how bad is that? We’re not KFC, having to move around our name and long standing brand to hide what was once an appropriate image, prior to the American Heart Association’s campaign against fried food, trans fats, and so on.

The little wise cracks are actually not only harmless, they are a compliment. The way I see it, we have nothing to worry about unless George Lucas releases a sequel to Return of the Jedi, with a twist… Where R2-D2 was, all along, a secret spy for the Emperor, and was an instrument of terror and intergalactic mayhem, then I think we will find ourselves in the same brand quandary as KFC. Until then, I’ll gladly accept the “accidental” association.

The point of all this is that the brand is far less about the name. It’s a beacon for the story. It’s a symbol that becomes associated with a mantra, a community, an emotion, and if we’re lucky…an inspiration. At first, we shifted the meaning of RD2 to Research, Design, Develop. It was appropriate for the time and conditions for our business. It was short for our Methodology. And what do we know about Methodologies? They are [edited]s… everyone has one. Methodologies are becoming like mission statements. You always have one, but no one really wears them like a prominent tattoo any longer. A good friend of mine, Sally Herbert, is the best consultant I have ever worked with. She never used the word “Methodology”. As sophisticated as she is, she never used those big MBA words. She always went right to the “Approach.” So, when you hear me say it, that’s a phrase that came from her. The word “Approach” to me seems more as if you are prepared for action. You have your tools, instruments, landing gear, and all of your focus aligned and ready for what’s ahead.

The name of a brand is in the story, and over time becomes an emotional connection within those who are part of it and within the community that surrounds it. A mission statement and methodology are more like the English aristocracy. It’s just an ornament on the tree. It’s there, but really has little to do with the day to day goings on.

So, who is RD2? We’re a determined little company who knows how to build online communities, engaging an audience with our clients. We have a history, a methodology, and all that mission statement stuff… But most importantly we have a specific Approach which we have used successfully to systematically solve complex problems. If we get to know you along the way, maybe we’ll have a few cold ones and talk about droids, battle scars, and the thrill associated with the lifecycle of a company that simply never quits until it finds it’s way…

Oh, by the way… RD2, Inc. and it’s logo are a registered trademark!

- Chris

Yo, Jackie!

J. Danny @ 24 Apr 2008 :: Branding, Communication, Culture :: comments (0)

No doubt you have seen one of 300 Jack in the Box commercials that have been airing for the last several years. My favorite, by far, is “The Intern” (shown below).

What you probably didn’t know is that they’re all produced by an agency called Secret Weapon Marketing. I’ve been a fan of SWM for a long time, and what’s great about those guys is that they devote all their time to enhancing the brand of only THREE clients at a time. It’s an unorthodox approach that I think could benefit many agencies out there.

Not Just Another Investment Firm

Chris Ronan @ 22 Apr 2008 :: Branding, Design, Our Work :: comments (0)

2M

The goal for 2M’s site redesign was to showcase their community, values, business, and support for the arts online.

Mort Meyerson, the CEO of 2M Companies Inc., and the rest of his team tasked RD2 to convey their mission to seek the greatest good for their communities, and operate under the principle that “philanthropy and business are purposefully intertwined.” With this vision in mind, RD2 used photography and multimedia to expressively portray many unique sides of 2m’s organization. The result is a beautiful online experience.

Making Beer Even Better

Andrews Distributing is one of the biggest beer distribution companies in Texas. When an organization delivers countless cases of beer to every type of restaurant, bar, and nightclub imaginable, it starts to notice some things. Andrews started to notice that every client they work with presented a unique experience for its patrons, ranging anywhere from overall atmosphere to the way it presents its menu and cuisine.

If this experience could be presented for food, why not for beer? By focusing on craftsmanship, aesthetics, and rich historical details, Andrews adopted a philosophy of turning beer into a “destination product” - the central part of an experience, rather than merely an auxiliary item.
Andrews and RD2 worked together to create Destination Beer - a repository of information on every beer carried in the Andrews Distributing lineup.

Destination Beer

Different beers contain information on history, food pairings, brewing processes, and recommends several similar beers to the user that they might have never heard of otherwise. The site as a whole helps educate retailers on the beers they serve, allowing them to place more emphasis on their beer selection and presentation in their establishments.

We were able to match the information architecture developed by Eric and myself with striking design and a custom-built Ruby on Rails back-end to make Destination Beer a destination in and of itself.

Destination Beer is known around the office as “the best research project ever.”

What You See is What You Get

Chris Ronan @ 01 Apr 2008 :: Branding, Our Work :: comments (0)

T&V mini postcard

Turchin & Voorhies is a boutique investment bank here in Dallas, Texas. Gil Turchin and Paul Voorhies have been around the block a few times, and help their clients navigate through complex transactions.

Turchin & Voorhies needed a new brand identity package, including a website, to communicate their message. They realize that value of the first impression, and the second. When meeting a perspective client for the first time, Turchin & Voorhies have much to show at face value. The identity and communications of their materials and business cards are completely integrated with the look, feel, and messaging of their website. Their clients put a lot of trust in them, something they wanted their integrated brand to communicate.

Volkswagen: Un-pimp Your Ride

J. Danny @ 20 Mar 2008 :: Branding, Culture :: comments (0)

A year later and this broadcast campaign is still one of the best ever produced:

“You look like you fly Southwest” - an experience in branding

Caitlin Kaluza @ 05 Mar 2008 :: Branding, Culture :: comments (3)

I was traveling last weekend - a short trip to visit my college roommate in San Diego (my instant love for the baby panda at the zoo is another story).

On Sunday evening, as I was about to land in Dallas, the (Continental) flight attendant man told me that I had to get rid of my cup of ice before descent (I asked him if I could keep it and he said no). I thought he was kidding, and must have looked shocked when he said “who do you think we are, Southwest Airlines?”

… I must have looked more shocked (and was wondering if he had seen my laptop screen as I had been doing some work for Southwest for much of my flight) when he said “you look like you fly Southwest a lot. You do, don’t you?”

He also looked offended when I didn’t offer him some of my candy I pulled out - I told him I need to have something to unpop my ears since he took my water away. He was not amused. It was a very awkward experience.

I’m not really sure what makes me look like the kind of person who would fly Southwest. And I’m not really sure what this experience says about the Southwest brand. The fact that the slightly awkward, though generally friendly, flight attendant saw that I was disappointed that he had to inconvenience me to follow procedure (as silly as the procedure seemed), is hopefully a comment on Southwest’s reputation for good customer service on their flights.

… And hopefully not a comment on my secret love of hot pants.

No Fine Print

Chris Ronan @ 17 Apr 2007 :: Branding, Design :: comments (0)

No Fine Print 2

This story begins as we, a Dallas Design and Branding studio, were sitting in the den of the top litigation attorneys in the state of Texas. To them, we were another design agency with a strong web focus. To us, they were the sharpest knife in the drawer who needed a design studio to position them as a human brand in a completely original way. How do you impress a group of super stars in their business? Be original. Be real. And reveal how you think the world needs to see them even when the lump in your throat just won’t go away.

Fast forward to the beginning of April, 2007. We had won their trust, even when recommending that we move in the heavy equipment for an up close and personal set of interviews. It was unlike anything we had seen in their business. And these guys were such unique characters. Full of passion and energy. Boiling over with the desire to win. It was the perfect storm and the combination of these elements meant that redeveloping their brand needed a grand finale to take the stage on their web site.

Matt Cooper calls it a “Multi-Media Portrait.” And when the cameras started rolling, they were perfect. Talking about their marketing strategy, their competition, their passions for their clients and how seriously they take winning. We wanted 3 minutes of great footage. We got 40. We had three cameras, a sound specialist, a lighting specialist and a truck load of equipment. Alan Loewinsohn, Jim Flegle and David Deary were awesome and we were just spellbound as the cameras kept rolling.

We have launched a new brand to showcase a firm that has evolved. It started with pencil sketches, but after the engraved sign went on the door and all of the paper was printed, we knew we were in business. Everything about the identity has changed, and the stage is the web site, where these brilliant Litigators are staged. They are truly different, and that is obvious when the online community gets to know them on texasverdict.com.

The story continues, as we work with our partners, Loewinsohn Flegle Deary L.L.P., to step even further ahead. Stay tuned.

Another One Bites the Dust

Blake Elshire @ 05 Apr 2007 :: Branding, Design, Links :: comments (1)

Another One Bites the Dust

The recent trend of companies with classic logo designs poorly re-branding themselves has hit the Dallas Independent School District with some “American Idol” style. The district accepted 275 designs from students and staff and then voted upon those designs to give themselves their new identity. I saw the result on Brand New this morning and it boiled my blood so much I had to spread the word. The original logo was designed by an excellent firm here in Dallas called RBMM, a powerhouse in logo design, and the consensus here is that the original logo is excellent and possibly needed at most a color update.

There is more information about the logo redesign on the Dallas Morning News site. The design didn’t go over too well with the DISD School Board seeing as how they were not even aware of a need for a new logo. It was critiqued as being “real busy”, “a little goofy”, and other such truths. My personal opinion is that it reminds me too much of the FedEx logo in color and layout.

This re-design is taking the user generated content idea a bit too far when you base your organization’s identity off of a competition that took entries from 3rd graders. It’s time to roll up the collective newspaper and give DISD a nice hard slap on the nose. NO DISD, That’s a BAD DISD!!!!